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Ruby was, by then, no longer innocent, but she recognized the value of her charm and could appear naïve when the occasion demanded.
Under Johnny’s patronage, Ruby’s career in night clubs blossomed.[Emphasis mine.]Goldman does an excellent job itemizing Ruby’s early stage career with Johnny Irish as her suitor, beginning with a floor show at the Silver Slipper, and then headlining at Tex’s 300 Club in September, 1926.
During Rosie’s Broadway run, Ruby wins a beauty and dancing contest run by producer Nils T. Ruby is too young to be hired by Granlund, “but Earl Lindsay, one of the contest judges, offered her a two-year contract at seventy-five dollars a week to dance in his new club on the roof of the Strand Theatre.”Several weeks later, Granlund offered Ruby a featured spot as a dancer at the El Fey Club.
[…] Ruby released from her contract with Lindsay, became a principal attraction at the El Fey before she was fifteen.
The show opened at the Ritz Theatre on January 13, 1927, and Ruby won a huge hand for her “Tampico Tap” number.Producer Charles Dillingham then hires Ruby for Sidewalks of New York, at Broadway’s Knickerbocker Theatre.The show opens in September, 1927 and runs for 112 performances before hitting the road.It marked the second time she had deserted that producer.Lucky plays the New Amsterdam Theatre and closes after seventy-one performances.